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The Social History of Smoking

George Latimer Apperson

Chapter 1:

"'It requires no effort of the fancy to picture these three men [Shakespeare, Bacon and Raleigh] as lounging in a window of Durham House, puffing the new Indian weed from silver bowls, discussing the highest themes in poetry and science, while gazing on the flower-beds and the river, the darting barges of dame and cavalier, and the distant pavilions of Paris garden and the Globe.'" This is a pure "effort of the fancy" so far as Bacon and Shakespeare are concerned. Shakespeare's absolute silence about tobacco forbids us to assume that he smoked; but of Raleigh the picture may be true enough. The house had, as Aubrey tells us, "a little turret that looked into and over the Thames, and had the prospect which is as pleasant perhaps as any in the world"; and it would be strange indeed if the owner of the noble house did not often smoke a contemplative pipe in the window of that pleasant turret.

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The Social History of Smoking

George Latimer Apperson

Chapter 13:

Although, according to M. Misson, the women of Devon and Cornwall might wonder why the women of Middlesex did not take tobacco, it is certain that London and its neighbourhood did contain at least a few female smokers. Tom Brown, often dubbed "the facetious," but to whom a sterner epithet might well be applied, writing about the end of the seventeenth century, mentions a vintner's wife who, having "made her pile," as might be said nowadays, retires to a little country-house at Hampstead, where she drinks sack too plentifully, smokes tobacco in an elbow-chair, and snores away the remainder of her life. And the same writer was responsible for a satirical letter "to an Old Lady that smoak'd Tobacco," which shows that the practice was not general, for the letter begins: "Madam, Tho' the ill-natur'd world censures you for smoaking." Brown advised her to continue the "innocent diversion" because, first, it was good for the toothache, "the constant persecutor of old ladies," and, secondly, it was a great help to meditation, "which is the reason, I suppose," he continues, "that recommends it to your parsons; the generality of whom can no more write a sermon without a pipe in their mouths, than a concordance in their hands."

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